The Crucible Film Essay -- Movie Revier Miller Crucible

The Crucible Film The Crucible an intensely emotional and spectacular film based on the horrific story of the Salem siren trials. The opening and concluding eons ar of great importance in make the melancholy atmosphere present byout the story. The director uses various opposite devices to achieve this. A variety of tv camera techniques are use throughout the beginning sequence to enhance the mood and involve the audience. Camera techniques are harmonized with lighting effects to culminate this dramatic scene. I leave begin by discussing examples of this. In the village, many close-ups and long gos are used to enhance facial expression and to set the sombre mood. Opening on a zoom shot of Abigails face, an aura of gloom is created by the cold colour scheme and her shadowed expression. The bleak dcor of the room shown in this scene is used to further emphasize the gothic theme of the film. The camera tracks then tracks her out into the village, its angle showing the village as she would give away it claustrophobic and dark. This may be used as a opthalmic metaphor implying the repressive, narrow-minded nature of the Salem society. A zoom shot is used to show the other village girls simultaneously rush from their houses aft(prenominal) Abigail, towards the grim-looking forest ahead. This illustrates Abigail as the girls leader, and the fact that the film opens on her establishes her as a main character. As the film changes scene, the camera techniques change likewise. Panning and tracking rouse a sense of tension and chaos, and this effect is teamed with austere colour schemes of gallant and blue. The camera is in mid-... ...characters. The first sequence is guaranteed to widen an audiences eyes, getting their flashbulb racing as the tension builds. After the audience is put through feelings of anxiety, happiness and awe throughout the middle of the film, the mood is brought back dismantl e to a funereal sombreness, as the favourite character is brought to an end. But possibly this scene could be made even much powerful if more focus was put on the battle for Johns conscience, instead of the infidelity of the substitution character? Also, I think that an alternative end to the finishing sequence could be more effective. When John is hung, this could be shown from his perspective the onlookers gradually decorous faded as he swung above them. The audience still left wing to imagine Johns final state, this gives a more powerful and enduring image.